"...If people are rotting and starving in all directions, and nobody else has the heart or brains to make a disturbance about it, the great writers must. In short, what is forcing our poets to follow Shelley in becoming political and social agitators, and to turn the theatre into a platform for propaganda and arena for discussion, is that whilst social questions are being thrown up for solution almost daily by the fierce rapidity with which industrial processes change and supersede one another through the rivalry of the competitors who take no account of ulterior social consequences, and by the change in public feeling produced by popular `education' cheap literature, facilitated travelling, and so forth, the political machinery by which alone our institutions can be kept abreast of these changes is so old-fashioned, and so hindered in its action by the ignorance, the apathy, the stupidity, and the class feuds of the electorate, that social questions never get solved until the pressure becomes so desperate that even governments recognize the necessity for moving. And to bring the pressure to this point, the poets must lend a hand to the few who are willing to do public work in the stages at which nothing but abuse is to be gained by it..."
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