Friday, April 5, 2019

Joan Coxsedge's `Some Facts About Libya'--Part 2


Jamahiriya Museum in Libya
In  Part 2 of her 2018 book, Some Facts About Libya: How the West destroyed this once prosperous nation, long-time Australian antiwar and Latin American solidarity activist Joan Coxsedge--who is also a former member of the Victoria state parliament--recalls her 1979 visit to Libya in the following way:

Visiting Libya in 1979.

In 1979 I was invited to Libya to take part in a conference on Palestine with the moniker ‘The Conference of Tripoli on Imperialist, Zionist and Reactionary Scenes against the Arab Nation, the Danger of these Schemes to the Vital Interest of All Nations and to the Problems of Peace and Liberation all over the World’. Not the most popular subject in Australia, but of interest to me because I believed the Palestinians got a spectacularly rotten deal when the world salved its conscience by giving away their land after WW2. It took place six years after the Yom Kippur War, a year after the ‘Camp David Agreement’ and a year before the Israeli Knesset (parliament) passed a new law proclaiming Jerusalem the ‘eternal capital of Israel’. 

The conference was well organised and extraordinarily interesting. Security was tight, for good reason. Palestinian leaders with a price on their heads using aliases flew in from around the world. Many of their colleagues had been assassinated by Israeli hit squads.

Apart from Muammar Qaddafi who opened the conference, I met George Habash, head of the Popular Front for the Liberation of Palestine, and Vanessa Redgrave, the tall, strikingly handsome British actress. And we all rose to our feet to give a standing ovation of welcome to a delegation from the newly elected Sandinista government in Nicaragua, their debut on the international stage.

At the start of proceedings we were each given a copy of Qaddafi’s The Green Book, Libya’s answer to Mao’s Little Red Book, except the Libyan version was much longer. In it Qaddafi called parliamentary democracy a sham where voters ‘stand in long queues to cast their votes in ballot boxes in the same way as they throw other papers into the dustbin’. Quite a few would agree with that. He preferred direct popular participation in people’s congresses – a notion not too far removed from the slogan of Russia’s 1917 October Revolution, which called for ‘all power to the Soviets’ (local committees) – even though that slogan later bit the dust. On the second day, I gave a paper titled ‘The Impact of US Imperialism on Australia’.



 Thanks to a hostile media, I doubt if many would associate Libya with art and architecture, despite it being an archaeologist’s heaven back then. In the centuries before Christ, when Greek supremacy went down the drain after the sacking of Carthage and Corinth, Rome ruled the region for more than eight centuries before it lost control to the Arabs in the seventh century AD. Despite another thirteen hundred turbulent years, many of the ancient monuments survived. Western Libya in particular was richly endowed as I discovered during my tour of Sabratha and Leptis Magna, birthplace of Emperor Septimus Severus. 

I walked down streets where ruts from ancient chariot wheels were still visible and past the remains of houses where people had lived and worked until the end of the 4th or 5th century. I fingered grooves on a stone counter made by ancient butchers and fishmongers when they sharpened their massive knives and roamed in and out of small shops and stalls that had once sold spices and wines and goods made from leather.

But the building that took the cake was the ‘Hunting Baths’ whose domes and vaults had been buried under sand for fifteen centuries. Inside, a series of warm and hot rooms were lined with hollow tiles where hot air from the furnaces passed through, and most astonishing of all was the discovery that the 2000-year-old bathhouse still worked!

During my drive to Sabratha I stopped at the Jamahiriya Museum to look at its collection of priceless mosaics and worry whether these magical places and ancient artefacts have managed to survive the savagery and barbarism of the 21st century.

No comments:

Post a Comment